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Chopin “was not likely to let a searching critique lead her to conclude that the social order of the bourgeois South required the institutional subordination of women. Quite the contrary: she interests us because she is human—because she fails in ways which beckon seductively to all of us.” Edna, she adds, “is very little open to sustained emotional relationships.” She thinks of Edna as having a “schizoid personality.” Donald Pizer, pointing out that Chopin read authors such as Charles Darwin, examines Edna Pontellier’s struggles within the context of nineteenth century naturalist fiction. Reisz and Adèle, must be understood in terms of Edna’s (or any subject’s) ability to work and thus contribute to social value.” Hugh Dawson argues that the novel “has been misappreciated,” that “the book does not deserve the high place now accorded it.” Unlike most modern critics, he argues that Edna is not “a truly compelling character,” that she fails on an ethical level due to her extreme self-serving nature.

Nor would she have been comfortable with the view that the freedom of women dictated the substantial reform of the prevailing social institutions.” The power of , Cynthia Griffin Wolff writes in an influential essay, “derives from its ruthless fidelity to the disintegration of Edna’s character. He argues that the novel, and Edna’s struggle, cannot be separated from their “participation in the naturalistic belief that the human will is often deeply circumscribed by the inseparability of the lives of men and woman from the natural and social worlds they inhabit.” Drawing on the work of Karl Marx and Frederick Engels, John Carlos Rowe contends Kate Chopin recognized that “ in this culture is simply another word for warfare. “She seems to be willing to die for herself rather than to live for her children,” he argues. ” He looks at what critics have written and then turns to what Chopin herself said about her writing, focusing on her commitment to truth and empathy.

She is out of her Kentucky or Mississippi Presbyterian environment, out of her native element.

So to some extent your puzzlement over those French expressions may be similar to hers.

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“ You can read the novel in our online text, which is based on a first edition of the novel (Herbert S.

She has only, as the novel points out in Chapter 2, “a small infusion of French which seemed to have been lost in dilution.” She is not a Creole.

She is not from Louisiana and did not grow up a Roman Catholic.

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