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“This scene of a kid walking in on the parents is a cliché,” Weisberg says. ” They settled on the only position they thought was mutually pleasurable and vulnerable: the 69.

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“You run the risk of pulling the audience out because they’re reminded in that moment that they’re watching a show, and usually you are trying to avoid that.” In many ways, porn has been freeing to TV writers.

“I think there was a pressure for a time for shows and movies to provide that service, and it always felt false because it was like, ‘Here’s the titillating part of the movie.’ It was a marketing technique,” says Willimon.

Samantha and Darrin shared a bed on increasingly common and with them easily accessible pornography.

No longer did kids have to visit a friend with an HBO subscription to see nudity.

In a drama where two spies set “honey traps” for a living, such relatable moments of intimacy are what have kept it grounded.

It’s a lesson Fields and Weisberg learned after a few mistakes.

They wanted to restore an equal power balance in the relationship.

“We were looking for something that expressed mutuality but also great intimacy,” says Weisberg.

“Now you can’t put anything on TV that’s more pornographic than what’s easily available with a few mouse clicks.

So you can really focus once again on character, and those characters can engage in sex the way actual humans do.” Not only have Willimon and other writers made sex essential, but they also have used it to start a conversation about sexual identity, feminism or even our moral fiber.

The first question the director of the episode, Thomas Schlamme, asked was how they would position the actors.

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