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Flipping through these tales, I feel a mixture of nostalgia, pride, and embarrassment.I used to write as if women were wonderful, fascinating aliens—over the years I’ve gotten better at depicting them as people.And I think it’s safe to say that wit, rather than mere humor, was his primary goal.

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I see my tales as simulated worlds in which the characters and tropes and social situations bounce off each other like eddies in a turbulent wake, like gliders in a cellular automaton graphic, like vines twisting around each other in a jungle. (4) My early mentor Robert Sheckley was a supremely witty writer.

Over the years I got to spend a few golden hours in Sheckley’s presence.

Walt Whitman spent his whole life revising and expanding one single book of poetry: Leaves of Grass.

Complete Stories is in some sense my final anthology.

But if absolutely anything can happen, a story becomes as unengaging as someone else’s dream.

The gnarly zone is lies at the interface between logic and fantasy.

I expect to write a few more stories in the coming years.

As time runs on, I’ll continue making new editions of my Complete Stories.

But always the stories have their own wild humor and logic.

I can characterize my fiction with in terms of six concepts: (1) Thought experiments, (2) Power-chords, (3) Gnarliness, (4) Wit, (5) Transrealism, and (6) Collaboration.

In practice, it’s intractably difficult to visualize the side effects of new technological developments.

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