Dating matt damon chords who is andy samberg dating

In the not-so-distant future, scientists at an institute in Norway perfect a process for reducing humans to tiny figures, about six inches tall, who can fit — and live — comfortably in an entire village of 7 by 11 meters.(Their disposable refuse for a year can be contained in a single ordinary-size garbage bag.) Payne, who has always been a poker-faced realist, knows that the most enticing way to treat this premise is with a restrained air of plausibility, as if it were really happening in our world.

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It’s sold by feel-good corporate gurus played by Neil Patrick Harris and a lolling-in-the-bathtub Laura Dern, who points out, to That said, the temptation — of wealth, of the fulfillment of upscale dreams, with the added nudge of doing one’s bit for the planet — is strong.

After talking to a downsizing counselor who sounds like she’s hawking theme-park condos, Paul and Audrey decide that they’re going to take the plunge. Payne has a blast with the transformation sequence, a sinister procedure that involves having your fillings and body hair removed and then being lifted, nude and unconscious, by what look like giant spatulas.

It says that our obsession with having a “better life” can reduce us, and that life will always be a stranger journey than the one we thought we were choosing. With: Matt Damon, Kristen Wiig, Christoph Waltz, Hong Chau, Jason Sudeikis, Udo Keir, Neil Patrick Harris, Laura Dern, Brigitte Lundy-Paine, Neil Patrick Harris, Joaquim de Almeida, Margo Martindale.

But the movie, in the end, is more amusing than exhilarating, and what should be its emotional payoff hinges too much (for my taste) on the director’s apocalyptic vision of climate change.

It’s also the most whimsically outlandish film of Payne’s career, though that doesn’t mean it’s made with anything less than his usual highly thought-out and controlled master-craftsman bravura.

“Downsizing” is an ingenious comedy of scale, a touching tale of a man whose problems grow bigger as he gets smaller, and an earnest environmental parable.

His films are built with a craftsmanship so beveled and honed that it’s beyond impeccable, yet that very precision can, at times, rob his movies of spontaneity.

“Downsizing” has a subtly structured arc of redemption, as well as a nifty metaphorical design.

One aspect of downsizing, it seems, is becoming a suburban party animal.

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