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Comic book adaptation Le Grand Chef sold over three million tickets, though it might have been able to sell more if it had been better directed.Meanwhile thriller Seven Days emerged as a true word of mouth hit, boosted by the fast tempo of its story and an electric performance from Kim Yun-jin.

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Director Im's rebel streak -- which has given us bold sexual talk in Girls Night Out, teenage delinquency in Tears, family scandal in A Good Lawyer's Wife and political intrigue in The President's Last Bang -- manifests itself here in quieter ways: in the cat-who's-eaten-the-goldfish sparkle of Hyun-woo's eyes, or in the way the director toys with viewer expectations and sets up striking but awkward contrasts in mood.

True to form, the narrative is also spiced with sudden eruptions of violence that you really feel in the pit of your stomach.

The film as a whole has been warmly received by local critics, but it has generated some negative reviews abroad, and its festival career has not matched that of its predecessor The President's Last Bang.

Im admits to embracing a more mainstream archetype in this film, which may partly account for its mis-matched reception, but there are other issues here as well.

Even bigger was Shim Hyung-rae's English-language monster movie D-War, shot in Los Angeles with American actors and a mostly American crew.

Although to international viewers it may look like any other really bad Hollywood B-movie, for many Korean viewers it became a source of national pride, since former comedian Shim Hyung-rae was the writer/director, the digital effects were all done in Korea, and the song "Arirang" is played at the end of the film.

Critics who trashed the film in the Korean press for its obvious faults (myself included!

) were subjected to the online wrath of a small group of passionate fans.

Yet despite all its strengths, the film began to lose me as it moved towards its conclusion.

As it progresses, The Old Garden becomes steadily more self-conscious and obvious about its own creativity.

It's as if at times it steps back to admire itself.

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